Re-Feminist History - badass women in history

Sunday, April 21, 2024

Women Athletes - The pay gap, and other bullshit



This week Re-feminist History covers female athletes, particularly women who have set records, broken down barriers, and carved a way forward out of invisibility.  Without meaning to, we set a record of our own and recorded our longest podcast to date! So this will be split up into two 1-hour segments.  Honestly it could have been 3-4 hours because there is a lot going on in women's athletics right now.  

This week I'm going to cover the disgusting wage gap that exists between professional male and female athlete salaries, and next week I'll give you an impressive list of 14 super badass women who have paved the way for many others.  From the 1920's, to a surprising number of bullshit limitations broken in the 1990's, to a 13 year old...there are so many amazing stories. But for now, set your gaze upon the bullshit in this table...

Average Athlete Compensation by Gender
SportMenWomen
Basketball (NBA & WNBA)$10,776,383$113,295
Golf (PGA & LPGA)$1,042,917$346,360
Soccer (MLS & NWSL)$471,279$54,000
Tennis Top 100 (ATP & WTA)$1,589,024$1,039,141
(https://online.adelphi.edu/articles/male-female-sports-salary/)

Top-Paid Female Athletes vs. Male Athletes

In 2012, boxer Floyd Mayweather made 103% more than tennis player Maria Sharapova. In 2022, little had changed: soccer star Lionel Messi made 87% more than tennis star Naomi Osaka.

20122022
MenFloyd Mayweather, $85 million
Manny Pacquiao, $62 million
Tiger Woods, $59.4 million
LeBron James, $53 million
Roger Federer, $52.7 million
Lionel Messi, $130 million
LeBron James, $121.2 million
Cristiano Ronaldo, $115 million
Neymar, $95 million
Stephen Curry, $92.8 million
WomenMaria Sharapova, $27.1 million
Li Na, $18.4 million
Serena Williams, $16.3 million
Caroline Wozniacki, $13.7 million
Danica Patrick, $13 million
Naomi Osaka, $51.1 million
Serena Williams, $41.3 million
Eileen Gu, $20.1 million
Emma Raducanu, $18.7 million
Iga Świątek, $14.9 million

(https://online.adelphi.edu/articles/male-female-sports-salary/)


Media Coverage

Generally this disparity has been hung on the fact that viewership for women's sports is lower, so advertisers are not seeing it as profitable.  Ummm hello... it's hard to get viewership up when the games aren't televised anywhere! But that is slowly improving. Women’s sports are now getting 15% of US sports media coverage, whereas previously women’s sports only received 4% of coverage.

Key findings from the Wasserman Report:
  • Women’s sports received an average share of 15% of media coverage in 2022.
  • If coverage trends continue at this current rate of growth, women’s share of coverage should be close to 20% by 2025.
  • Millennials represent roughly 30% of all sports fans - and 46% of this population turns to streaming platforms to watch sports events.
  • As expected, women’s sports digital publication mentions and social media mentions both peaked during high-profile events such as the Olympics, FIFA Women’s World Cup, and March Madness.
  • Women’s collegiate and professional sports combined for a total of 22,065 hours of streamed coverage in 2022, a 5,124 hours increase from 2021.
  • Women’s basketball led the way in total linear TV coverage hours at 2,055, followed by soccer (1,835 hours), tennis (1,810 hours), softball (1,392 hours), and volleyball (1,001 hours).
But not all the networks are progressive or getting the message: 
"As noted in the Wasserman report, and across a variety of previous studies, women athletes tend to experience coverage that is not produced or marketed at the same standards as men. For the second straight year, ESPN has announced it will not be placing the NCAA Women’s Basketball Championship game in a primetime slot, instead opting for Sunday, April 7 at 3 p.m. EST. This decision by ESPN is surprising given the enormous success of the 2023 championship game. It averaged nearly 10 million viewers."

And not all coverage is created equal...(this really pisses me off)
"In addition, when women do receive coverage, previous research has uncovered high rates of objectification of women athletes and teams, with broadcasts utilizing fewer camera angles and commentators reflecting on the appearance, parental figures, and/or spouse/family involvement of women athletes rather than strictly on their athleticism and in-game play." 

(https://www.forbes.com/sites/lindseyedarvin/2023/10/31/media-coverage-for-womens-sports-has-nearly-tripled-in-five-years-according-to-new-research/?sh=78c78e025ebb)

This year's playoffs proved that the audiences WANT to see women's sports! 
  • Caitlin Clark jerseys sold out in an hour.
  • NCAA Men's Championship Game - 14.8 Viewers
  • NCAA Women's Championship Game -18.9 Viewers
  • Women's attendance round 1 and 2- 292,456
  • Men's attendance round 1 and 2 -  260,000 
So get with the fucking program, ESPN! (and the rest of you!)

Basketball

"Every year since the Women’s National Basketball Association’s inaugural season in 1997, the highest-paid women’s basketball player has earned less than the lowest-paid National Basketball Association player. In the 1997-98 season, NBA rookies made 176% more than WNBA rookies. And while that gap narrowed slightly at the start of the 2010s to 172%, it widened again by the end of the decade to 182%."

Caitlin Clark was the #1 draft pick for the WNBA and her first year salary is set at $76,500.  Victor Wembanyama is the 1st draft pick for the NBA and his 1st year salary is set at 12.1 MILLION dollars. Now, I have heard all the justifications for this. 

In fact, when looking for a screen shot of that headline, I happened upon some ordinary woman's facebook post and I can't help myself from pasting it here because this is the kind of shit I'm so tired of hearing! 

(Tobie posts the graphic)  

James - Unfortunately they can’t pay women as much because the WNBA don’t bring in nowhere near the amount of money NBA teams do… Maybe that will change soon with all the new talent women’s basketball has nowadays!! And Caitlyn did sign a $10 million dollar deal with Nike and multimillion with Gatorade and some insurance company commercials and stuff as well so she’s definitely making PLENTY of money thanks to basketball.


James - CC gets her own signature shoe too! 13th WNBA player since Swoops was 1st in ‘95 in the WNBAs 27 years of existence


Jack - Apples/oranges


James... the "company" they work for has not turned a profit while the NBA has. That's why there is a pay disparity.

If I was the best computer programmer and worked for a Mom & Pop company I shouldn't expect to be paid as much as a programmer working for Google or IBM.


Katelyn -And then they’ll argue that the WNBA is “less viewed” therefore generating less revenue. But why do you think that is? Like hello?🙃


Whitney – My hope is that with people’s attention finally on the new players in the WNBA that people will start watching more, buying more game tickets, buying merch, etc… things that bring in the money to pay those women what they’re worth!


James - Whitney What do you think is good pay to play a sport you love to play everyday for a living?

(Thank you, James, for demonstrating what the modern Patriarchy sounds like.  We are all just so grateful and we'll speak real nice to you and we'll add smiley faces to our arguments so we don't offend you. So grateful. Thanks. )

Ok so anyway...James, can you do the math for us on the following table, using your assertions as a formula basis?

James?

James?

Jack?
        Uh....I told you...it's apples and oranges

OK. Anyone Else?

2002-2003 Season2012-2013 Season2022-2023 Season
NBAMinimum salary: $349,000
Maximum salary: $25,200,000
Minimum salary: $474,000
Maximum salary: $27,849,149
Minimum salary: $953,000
Maximum salary: $45,780,966
WNBAMinimum salary: $30,000
Maximum salary: $79,000
Minimum salary: $36,570
Maximum salary: $105,000
Minimum salary: $60,000
Maximum salary: $234,936

(https://online.adelphi.edu/articles/male-female-sports-salary/)

As a non-sequitur fun fact, the Denver Nuggets pay their mountain lion mascot Rocky $625,000 yearly, which is more than double what Caitlin Clark will make over FOUR years! 

Soccer 

More tables of horse shit

20132023
MLSMinimum: $46,500
Maximum: $600,000*
Team salary budget: $2,950,000
Minimum: $85,444
Maximum: $651,250*
Team salary budget: $4,900,000 $5,210,000
NWSLMinimum: $6,000
Max: $30,000
Team salary budget: $200,000
Minimum: $36,400
Max: $200,000
Team salary budget: $1,375,000

2010/20112018/20192022/2023
Men’s World Cup$420 million; $30 million winner’s share$400 million; $38 million winner’s share$440 million; $42 million winner’s share
Women’s World Cup$5.8 million; $1 million winner’s share$30 million; $4 million winner’s share$110 million; $10.5 million winner’s share

(https://online.adelphi.edu/articles/male-female-sports-salary/)

In 2016, several high profile members of the women's national team filed a lawsuit regarding unequal pay. "The filing, citing figures from the USSF's 2015 financial report, says that despite the women's team generating nearly $20 million more revenue last year than the U.S. men's team, the women are paid almost four times less."

"The lengthy legal dispute dates back to a federal equal pay complaint filed by five high-profile members of the women's national team in 2016. (Alex Morgan, Hope Solo, Carli Lloyd, Megan Rapinoe, and Becky Sauerbrunn They said each member of the women's team was paid thousands of dollars less than the men at nearly every level of competition.

Both the women’s and the men’s national teams are required to play 20 exhibition matches per year, but were compensated very differently as of March 2016. If the women were to lose all 20 games, they would be paid $72,000 but the men would earn $100,000 for the same record. If the women won all 20 exhibition games, they only had the potential to earn $99,000 while the men would earn an average of $263,320 for this achievement.

World Cup bonuses are also extremely unequal. The USWNT bonuses are as follows: $20,000 for 3rd place, $32,500 for 2nd place, $75,000 for 1st place. The men’s team earns the following bonuses: $52,083 for 3rd, $260,417 for 2nd, $390,625 for 1st. The pay structure for advancement is so disparate that the women’s national team was awarded $2 million for winning the 2015 World Cup, but the men’s team earned $9 million for failing to advance past the 2014 World Cup’s round of 16.

The female athletes are paid $3,000 for each sponsor appearance, less than the $3,750 earned by men. When traveling for camp, either domestically or internationally, the USWNT is paid less ($50 to $60 per diem) in daily allowance than the USMNT ($62.50 to $75 per diem).

The World Cup roster bonus for women was $30,000, just 44% of what the men were awarded at $68,750." 

It was a complex lawsuit, with an appeal filed which ultimately led to a partial victory. They didn't get nearly as much as they asked for...only about 1/3, but it sets a hopeful precedent.  

(https://www.npr.org/sections/thetwo-way/2016/03/31/472522790/members-of-u-s-women-s-national-team-file-federal-equal-pay-complaint#)


Tennis

One headline sums up the bullshit on these courts: "Women’s Tennis Promises Equal Prize Money As Men’s Tennis By 2033". At the Italian open last month, men competed for $8.5 million while the women competed for $3.9 million, the New York Times reported, one of several major tournaments that pay players of different genders significantly different amounts.

The US Open has offered equal prize money since 1973. One stand out bridge in hundreds of gaps...

Fun facts: 1 in 8 men surveyed thought they could score at least one point against Serena Williams. Thank you, fragile masculinity, for your contribution to our statistics. 

Serena's fastest serve was 128 MPH - her average is 106 MPH. (On average, MLB pitchers throw a fastball at a speed of 92.3 mph)

Fastest women’s serve was Georgina Garcia Perez 136.7

Legislation

A few weeks ago we talked at length about the Equal Rights Amendment and how, even though it has been ratified, it has not been added to the Constitution, and why that is such a big deal.  In these post Roe days, we need our rights enshrined at the highest levels of government!

The landmark Equal Pay for Team USA Act (EPTUSA), which was signed into law in January 2023, requires that all athletes representing the United States in global athletic competitions, like the World Cup, Olympics & Paralympics, receive equal compensation and benefits in their sport, regardless of gender.  It's a solid start, but far more is needed in every sector of American society to equalize men and women professionally. 

So now that we're all good and pissed off...listen to part 1 of this podcast episode of Re-Feminist History

Sunday, April 14, 2024

Funny Ladies part 2 - A true survivor - Moms Mabley



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Email me: kelly@thebitchwhisperer.me


In last week's blog, I left you with a cliffhanger about who was the other woman in the funny ladies episode. Ha. I kid! My teasers are not very teasy...like at all. It's Moms Mabley. Never heard of her? Yeah I hadn't either. 

As I have mentioned a thousand times, comedy is important to me.  Musing about it once, someone asked me where I thought comedy comes from in a person's experiences.
Without hesitation I said "Pain". Many famous comics make this point clear, and Moms was no exception.

She was one of the very first female stand up comedians. She navigated a world that was dominated by white men as a black woman who had been through ...well just SO much...particularly as a child. So who was the super woman of comedy?
If you watched the TV series The Marvelous Mrs. Maisel on Amazon, you were introduced to her in season 3, played by Wanda Sykes. Moms Mabley was born Loretta Mary Aiken in Brevard, North Carolina, on March 19, 1897. She was one of 16 children born to James Aiken and Mary Smith. Her father owned and operated several successful businesses, and took in boarders, as well as being a volunteer firefighter. By age 13, Mabley had already been raped and impregnated twice, and gave birth to both babies. She gave both children up for adoption. She gave birth at ELEVEN years old, people!!! I MUST interject here, that this is the reality that this country is returning to if abortion bans continue!! The first rape at age 11 was by an older black man, and the rape at 13 was by a white sheriff. 

When she was 14, her grandmother encouraged her to run away because she had clearly become a target. She went to Ohio and joined a vaudeville-style minstrel show starring Butterbeans and Susie (a popular performing couple), where she sang and entertained. A year later, her father was killed when a fire engine exploded. Her mother took over the family's general store, and she was killed a few years later, run over by a truck while returning home from church on Christmas Day.

Mabley eventually became an attraction at the Cotton Club. She was told by her brother that she was a disgrace to the family name because "stage women wasn't nothing but prostitutes". So she took on the name of her former boyfriend, Jack Mabley, who was also a performer. She remarked in a 1970 Ebony interview that he had taken so much from her, the least she could do was take his name from him. She soon entered the world of film and stage as well, performing in the 1931 Broadway show Fast and Furious: A Colored Revue in 37 Scenes and taking on a featured role in Paul Robeson's Emperor Jones.

She was the first openly gay comedian, and often dressed like Cab Calloway. She was a "hep cat", baby.

In the late 1930s, Mabley broke ground as the first female comedian to grace the Apollo stage, becoming a fixture with more appearances there than any other performer. She also made a comeback in cinema with roles in films like The Big Timers (1945), Boarding House Blues (1948), and the musical revue Killer Diller (1948), alongside Nat King Cole and Butterfly McQueen.

In the 1950s, influenced by her maternal role among fellow comedians, Mabley adopted the moniker "Moms" and took on the appearance of a toothless, disheveled woman in a house dress and floppy hat. She was greatly influenced by her grandmother, who had been a guiding force in her aspirations. This non-threatening persona allowed her to tackle taboo subjects like racism, sexuality, and widowhood, which were considered too risqué for many other comedians of the era. Her comedic repertoire included a recurring bit about preferring handsome young men over "old washed-up geezers", even though she was openly lesbian. By the 1960s, Mabley began to gain recognition among a broader, predominantly white audience. She was the first woman, moreover the first black woman to perform at prestigious venues like Carnegie Hall in 1962 and made numerous appearances on mainstream television, notably on The Smothers Brothers Comedy Hour. Integrating music into her act, Mabley's cover version of "Abraham, Martin and John" reached No. 35 on the Billboard Hot 100 chart on July 19, 1969, making her, at 75 years old, the oldest person to achieve a U.S. Top 40 hit at the time. She also participated in events like the Harlem Cultural Festival during this period.

Moms influenced the style of comedy legends Richard Pryor, Redd Foxx,Whoopie Goldberg, Wanda Sykes, Sidney Poitier, and Eddie Murphy, who said he modeled the grandma character in Nutty Professor after her. In 2013, Whoopie produced a movie about Moms' life. Information about her was not easy to find, but the documentary is and important marker of history and of this amazing woman's life. It is called "Whoopie Goldberg Presents Moms Mabley" and is available on Amazon.

Moms always remained close to North Carolina, frequently visiting family and friends in the Brevard area. She often commented: "I love North Carolina. I love the people." Once when she returned to Brevard, she tearfully observed: "Lord, what a wonderful place God picked out for me to be born in."

What an astounding attitude for someone who went through so much pain in that same place. Hats off to Moms, one more badass woman that history has skimmed over.  Bravo. 

This episode is available now (click the image)


Sunday, April 7, 2024

Comedy is group therapy - Wanda Sykes

 


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Email me: kelly@thebitchwhisperer.me


This week on episode 64, we cover two ladies who have helped shape the comedy industry. I believe comedy is group therapy for society. It forces us to laugh at how stupid we are sometimes. Comedians take pain, often their own, and turn it into laughter. Many of the famous comedians we know and love came from very difficult circumstances and pull from that pain to create their comedy.  That is some kind of alchemical fuckin' magic, that's what that is! Good comedy punches UP at systems and power and patriarchy and assholes.  Good comedy never punches down at the disenfranchised, marginalized, or suffering. Good comedy encourages us to look at ourselves and check...am I the asshole?  I think comedy serves an important service among the arts in society. 

The first woman from this episode is Wanda Sykes. I’m sure you’re familiar with the name, and probably some of her work. As a stand up comedian, she is known for her blunt takes and observations of everyday life. She has taken inspiration from some of the greatest before her, and in turn now has her own legacy. 

Wanda was born on March 7, 1964, Portsmouth, Virginia. There is not a lot of information available about her childhood. Her father was a Colonel in the Army (wow!) and her mother was a bank manager.  She attended Hampton University in Virginia and was a member of a sorority. She graduated with a Bachelor's Degree in Marketing. There really isn't any information (that I was able to dig up) about her youth or upbringing, and frankly I'm really happy for her that she's managed to keep her childhood story to herself. That's no small feat in this age of information and paparazzi etc.  

After college, she worked at the National Security Agency (NSA) as a procurement officer, which included negotiating  contracts for espionage equipment! It was during her time at the NSA in 1987 (she was 23, if you need the math.) that she stumbled upon a talent showcase for aspiring comics in the DC area. Despite lacking experience, she wrote five minutes of material at her desk and decided to give it a shot. Although she didn't win, she found her true calling in comedy. While still at the NSA, she continued honing her skills at local venues until she ultimately left the agency in 1992 to pursue comedy full-time.


Sykes credits Chris Rock for helping to launch her career. She got her big break when she opened for Chris Rock at Caroline’s Comedy Club. And then in 1997, she joined the writing team for The Chris Rock Show, which earned four Emmy nominations and won one in 1999.  She's also gained recognition for her recurring roles in CBS' The New Adventures of Old Christine and HBO's Curb Your Enthusiasm. She received Primetime Emmy Award nominations for her guest appearances on ABC's Black-ish and Amazon's The Marvelous Mrs. Maisel, the Netflix series The Upshaws, the HBO Max series The Other Two, and The Good Fight. She also has a very recognizable voice and has done some hilarious voice work for a number of animated films. 


In 2004, she wrote a book titled “Yeah, I Said It.” (If you are familiar with Wanda, you can’t really read that book title NOT in her voice, can you?) That same year, Entertainment Weekly named her one of the 25 funniest people in America. 


Sykes was married to record producer Dave Hall from 1991 to 1998. In 2004, Sykes came out to her conservative parents, who initially struggled to accept it. In 2008, she came out publicly as a lesbian and married her wife Alex Niedbalski a month later. Her parents declined to attend her wedding.  Since then they are said to have reconciled. The couple has twins born in April 2009.


In 2011, Sykes announced on The Ellen DeGeneres Show that she had been diagnosed with ductal carcinoma in situ.  Although DCIS is a non-invasive "stage zero breast cancer", she opted for a bilateral mastectomy to lower her risk of breast cancer.

She has also been outspoken about political issues, especially LGBTQ issues and civil rights. Sykes publicly expressed being devastated when California voters passed state Proposition 8. She said: "with the legislation that they passed, I can't sit by and just watch. I just can't do it." She has continued to be active in same-sex marriage issues hosting events and emceeing fundraisers. She has also worked with PETA on promoting dog anti-chaining legislation in her home state.


She has been an outspoken supporter of Detroit's Ruth Ellis Center after the organization's staff sent Sykes a letter asking her to visit during her 2010 tour's stop in Detroit.


(The Ruth Ellis Center is a Detroit area social services agency that serves the needs of runaway, homeless and at-risk lesbian, gay, bisexual, and transgender youth. REC is named in honor of the life and work of Ruth Ellis, who was one of Detroit's African-American lesbians known for her service to people in need.)


In addition to her other accomplishments, she was the first black woman and first LGBTQ person to perform at the white house correspondents dinner in 2009.  


In 2019, Wanda played one of her childhood heroes on the show “The Fabulous Mrs. Maisel”. 

Sykes got a call from her agent who told her series showrunners Amy Sherman-Palladino and Daniel Palladino wanted to do an episode that featured the veteran performer. Sykes hopped on a phone call with Sherman-Palladino, during which the two discussed their histories in the business and Sykes’ “passion” for Mabley’s work, the actor says. “I want to give Moms more credit and hopefully expose her to more people. They should know her,” Sykes says. “I had to nail this. I had to do it for Moms.” 

Part of the performance required her to step on stage at the Apollo Theater, no less and perform Mabley’s words. But part of it was also about peeling back a layer on Mabley as cameras followed her out of the spotlight and into a backstage interaction with the titular comedian (Rachel Brosnahan).

“It was the off-stage part that I had to really think about,” Sykes admits. “We know that she did have a different life off-stage. And I know how that felt: you’re being authentic and saying what’s on your mind, but then there’s this other little thing that you’re keeping for yourself.” Sykes most wanted to capture Mabley’s “boldness and joy,” in addition to her cadence and mannerisms for the stand-up performance.  “I’m a huge Moms Mabley fan. I don’t think I would be doing this if it weren’t for her. She was a huge influence for me as a kid. To play her on the Apollo stage, it was such a treat. I felt like I was preparing for this role as a kid. My mom and grandmother would tell me I would walk around the house with a dust rag on my head and would actually do Moms Mabley. I’ve been waiting for this role. I didn’t really have to do that much research or preparing because I’m so familiar with her and her work.”


That’s Wanda. She is not necessarily an unknown, which we normally discuss on the podcast.  But she is a remarkable because she has made it big in an industry known for making life difficult for women (comedy, specifically), and did so as a black woman, AND a lesbian.  That makes her a badass.  Her story flows naturally into next week’s badass of the week, which you probably don’t know diddly about. I won’t be giving any spoilers (but you could find out the scoop if you listen to the podcast).


Until next week, go make Bitchstory! 


Episode 64 goes up on Wednesday this week.