Queer in Code

🏳️‍🌈June didn’t become Pride Month by accident. It was chosen to honor the Stonewall Uprising of June 1969 — the nights when queer people in New York City, led largely by trans women of color and drag queens, fought back against a police raid on the Stonewall Inn. From that rebellion grew a movement, and from that movement grew a month. Every parade, every flag, every rainbow display in a store window traces its roots back to that moment.🏳️‍⚧️

But queer history didn’t begin at Stonewall. It couldn’t have. Love, desire, and identity don’t wait for political permission. And the further back you look, the harder the record gets to find — because for centuries, people who loved differently learned very quickly to hide.

Some of them hid in plain sight. Some of them hid in code.


Anne Lister was born in Yorkshire, England in 1791. By most external measures of her era, she was mostly unremarkable: a landowner, a businesswoman, a traveler, a diarist (those things actually made her quite remarkable because average women didn’t do those things! At least not the way Anne did…). She managed her estate at Shibden Hall. She read voraciously. She was, by all accounts, formidably intelligent and absolutely relentless.

Listen to the latest episode here: Bitchstory

But Anne Lister also kept one of the most extraordinary private records in British history — a diary spanning nearly thirty years and running to approximately four million words. It documented her daily life, her business dealings, her opinions, her travels, and her inner world in meticulous, almost obsessive detail.

And scattered throughout those four million words, encoded in a cipher she called her “crypthand,” were the parts of her life she couldn’t risk anyone reading.

Her relationships with women. Her desires. Her loves.

The crypthand was Anne’s own invention — a hybrid system combining Greek letters, punctuation marks, and mathematical symbols into something that looked, to the casual eye, like decorative nonsense. Marginalia. Scratches in the margin.

It took a scholar named Helena Whitbread over a decade to crack it.

When she did, the diaries became something else entirely: the most detailed firsthand account of lesbian life in early 19th century England that we have. Anne wrote about her relationships with specificity and emotional depth — not as confession, not as shame, but as record. She was documenting her own life because she believed it was worth documenting.

That act alone is radical.

Anne Lister has been called “the first modern lesbian” — a title that’s both useful and complicated, because identity categories like “lesbian” didn’t exist in the vocabulary of her time. She didn’t have that word. She didn’t have a community, a flag, a march, or a legal framework that recognized what she was.

What she had was herself. And she refused to erase that.

She formed what is widely recognized as the first recorded same-sex marriage in England, exchanging vows with Ann Walker at Holy Trinity Church in Goodramgate, York, in 1834. The church has since placed a rainbow plaque on the wall to mark it.

She dressed in black — severe, tailored, unmistakably herself — at a time when women’s clothing was about softness and compliance. She was called “Gentleman Jack” by locals who didn’t know what else to do with her. She didn’t correct them.

She traveled. She climbed mountains. She ran her estate. She negotiated coal contracts. She did all of it while conducting a rich, complicated, deeply felt interior life that she committed to paper in a code the world wasn’t meant to read for another hundred and fifty years.

The existence of the crypthand tells us something important — not just about Anne, but about the world she lived in. She *needed* a code. The things she was writing weren’t safe to write plainly. And yet she wrote them anyway, in enormous volume, over decades, with obvious care.

She wasn’t writing for posterity, exactly. She was writing because she needed to write it. Because her inner life was real and worth recording, even if the only person who would ever read it was herself.

That’s an act of profound self-regard in a world that would have preferred her to have none.

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Check out our Bitchstory podcast episode wherever you get podcasts   It’s pretty juicy, very fascinating (way more than the show Gentleman Jack portrayed, actually!), and historically significant!